Fibre Optics celebrates the beauty and technical mastery of women鈥檚 fibre works in all their forms.
鈥楩ibre鈥� takes many forms across contemporary and historic weaving, bark, textile, and paper works by First Nations women artists represented in the Chau Chak Wing Museum collection.
Fibre Optics聽celebrates the ingenuity, technical mastery and enduring depth of women鈥檚 knowledge woven into fibre works in all their forms, the title itself a playful nod to the rich visual language of fibre and the material transformation of texture, scale and style.
While Fibre Optics revels in the optics of fibre, it also honours the histories, cultural traditions and labour-intensive processes that produced them, recognising the results of women鈥檚 fibre practices not solely as women鈥檚 craftwork, but as the masterworks of women artists.
Exhibited artworks span three distinct regions: Arnhem Land, Northern Territory, Zenadth Kes (Torres Strait), Queensland, and 聽Boggabilla, New South Wales, brought together for the first time.
Marika Duczynski (Gamilaraay/Mandandanji)
Marni Reti (Palawa/Ng膩ti Wai)
Jack Gillmer (Worimi/Biripi Guri)
Luke Parker
The exhibition proudly presents artworks loaned from the Moree Cultural Art Foundation (MCAF) and Dr Louise Hamby.
Exhibition open 15 August 2026 - 15 August 2027
Level 3 Gallery
Chau Chak Wing Museum
Free
Header image: installation view from 鈥楩ibre Optics鈥�, Chau Chak Wing Museum, 2026. Photo: Trixie Young.
笔丑辞苍别:听+61 2 93512812
贰尘补颈濒:听ccwm.info@sydney.edu.au
Chau Chak Wing Museum
University Place
Camperdown NSW 2050