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Unit outline_

CMPN3634: Interactive Media and Sound Installations

Semester 2, 2026 [Normal day] - Sydney

This hands-on unit focuses on electronic music composition in the field of interactive and multimedia arts. Through the practical creation of personal works, students will explore a range of real-world paradigms and technologies including electronic performance, installations, human computer interaction, gestural control, network technology, and integration with visual arts and video. This unit will also investigate literature and creative art practices around topics such as cross-modal perception, idea development, audience engagement, collaboration, technical design and project management.

Unit details and rules

Academic unit Composition and Music Technology
Credit points 6
Prerequisites
? 
CMPN1013 or MUSC2653
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Damian Barbeler, damian.barbeler@sydney.edu.au
The census date for this unit availability is 31 August 2026
Type Description Weight Due Length Use of AI
Out-of-class quiz Early Feedback Task Early Feedback Task
Canvas Quiz
0% Week 03
Due date: 21 Aug 2026 at 23:59
20 mins AI allowed
Outcomes assessed: LO1 LO2
Interactive oral hurdle task Performance and Q&A for Novel Sound Apparatus
Answer questions about your plans for the interactive sound apparatus
20% Week 04
Due date: 25 Aug 2026 at 15:00
10 mins AI prohibited
Outcomes assessed: LO1 LO2
Portfolio or journal group assignment Hypothetical Vivid Festival Light Walk EOI
Hypothetical Vivid Festival Light Walk EOI submission PDF.
20% Week 08
Due date: 22 Sep 2026 at 23:59
4-5 minutes AI allowed
Outcomes assessed: LO1 LO2 LO3 LO4
Presentation group assignment Hypothetical Vivid Festival EOI In Class Presentation and Demonstration
Hypothetical Vivid Festival EOI In Class Presentation and Practical Demonstration
10% Week 09
Due date: 08 Oct 2026 at 15:00
5 mins AI allowed
Outcomes assessed: LO1 LO2 LO3 LO4
Creative work hurdle task Final Individual project
Showcase Installation and/or Performance
40% Week 13
Due date: 03 Nov 2026 at 10:00
60 minutes AI allowed
Outcomes assessed: LO1 LO2 LO3 LO4
Portfolio or journal Final Project Video Process Diary
A video process diary describing the inspiration and creative workflow for the final project with audio and visual support material
10% Week 13
Due date: 08 Nov 2026 at 23:59
3-5 mins AI allowed
Outcomes assessed: LO1 LO2 LO3 LO4
hurdle task = hurdle task ?
group assignment = group assignment ?
early feedback task = early feedback task ?

Assessment summary

  • Early Feedback Quiz = 0 marks: Demonstrate understanding of the core topics and knowledge in this unit of study.
    Ìý
  • Novel Sound Apparatus In class Prototype Performance and Q&A. With your own chosen/sourced materials - digital or analogue - make an experimental object or system that creates sound with some additional visual or sculptural element. Discover novel methods of interacting and making sound with this apparatus. Perform with the device and answer Q&A of inspiration and creative workflow etc.
    Ìý
  • Vivid EOI: In groups create a hypothetical expression of interest for Vivid Light Walk. You will submit an Expression of Interest based on IRL Vivid processes.
    Ìý
  • Vivid EOI Prototype Presentation: Present your EOI proposal in class. Includes a practical demonstration of some element of the proposal.
    Ìý
  • Final project Showcase Presentation: Create a new work that explores the techniques and forms examined in the class this semester. To be presented live in a public showcase event in week 13.
    Ìý
  • Final project Video Process Diary: Video Process Diary (3-5mins) detailing the inspiration, artistic vision, development, crafting and challenges of the build, as well as some reflections on your cumulative learning throughout the semester. Should include text, photos, sketches and other visual guides as to your creative and technical planning and progress.

Detailed information for each assessment can be found on Canvas.

Assessment requirements

All assessment tasks must be attempted. Failure to submit or attend any assessment task will normally result in an Absent Fail (AF) or failure of the unit.

If a task is specified as a hurdle requirement, you must obtain a minimum mark of 50% in that task to pass the unit, even if your overall mark is higher.

Assessment criteria

The following assessment criteria are used for performance work in this unit of study:

Result name

Mark range

Description

High distinction

85 - 100

Comprehensive and outstanding technical control and musical integrity in relation to developmental expectations. Musical individuality consistently projected to create a persuasive personal representation of the work. Performance flair indicative of soloist standard. A mark of 95 or above indicates extraordinary technical virtuosity and musical artistry. If work is more an installation then the work has a high level of polish and is artistically insightful and highly engaging/emotional for the audience. Highly poetically driven work. Technology is invisible where appropriate and technical elements run smoothly and are an elegant solution.

Distinction

75 - 84

Excellent technical, musical and stylistic achievement. Consistently coherent and expressive performance. Some personal interpretation of the work suggesting soloist potential. For installations, well made and coherent. All elements contribute to the whole. Good consideration of multiple media. Generally reliable technical execution.

Credit

65 - 74

Confident technique with evidence of solid musicality and some stylistic achievement. Occasional lapses indicative of unresolved technical, artistic and/or stylistic issues. Projects potential for further development. Installation work is well conceived with some inconsistencies in construction or execution. Might be technically driven without a clear artistic/poetic imperative.

Pass

50 - 64

Satisfactory level of preparation and musical engagement. Some inconsistencies in musicianship, style and/or technique. Musical imagination and overall performance sense developing though some insecurity in this area. For installations patchy execution or incomplete. Perhaps a good idea but the physical material execution does not hit the mark. Some technical problems preventing devices from working reliably.

Fail

0 - 49

Unsatisfactory technical achievement and/or unsatisfactory level of musical and artistic engagement. Limitations may be of such a scale and consistency as to call into question the student’s future direction in the programme. For installations incomplete technical execution or device does not work during the assessment. Excessive use of off the shelf devices being presented as if it the the student's work with little personal creative input or acknowledgement that the technical element are appropriated.

The following assessment criteria are used for written work in this unit of study:

Result name

Mark range

Description

High distinction

85 - 100

For process diaries a high level of reflection and insight. Well constructed and clearly presented with a range of media. Demonstration of understanding of historical precedents. Demonstration of creative workflows that are bespoke for the project at hand. Visual support materials help to tell the story of how work was made. Demonstrates high level of initiative in research and reading; sophisticated critical analysis; high level engagement with theoretical issues, innovative use of reading/research material and impressive command of underlying debates and assumptions; properly documented with style, originality and precision.

Distinction

75 - 84

Video process work is well constructed and clearly presented. Demonstrates learning about precedents and gives good and deep reflections on what was learned and how problems were solved. Good invention in terms of bespoke workflow and reasons given for how the workflow as derived. Demonstrates initiative in research and wide, appropriate reading; complex understanding of question and ability to critically review material in relation to underlying assumptions and values; analyses material in relation to empirical and theoretical contexts; properly documented; clear, well-developed structure and argument with some signs of literary style.

Credit

65 - 74

Good process diary structure. Generally covers creative workflow. Clear presentation of information and care taken to order information logically. Evidence of broader understanding than pass level; offers synthesis with some critical evaluation of material; coherent argument using a range of relevant evidence; some evidence of independent thought, good referencing. A high credit (70-74) shows some evidence of ability to problematise and think conceptually.

Pass

50 - 64

Process diary is brief and gives some insights into creative process though with fairly brief and superficial self reflection or not giving the whole picture. Little visual support material. Workflows are generic and not given much thought. Poor quality of narration or visuals but still legible. Written work meets basic requirements in terms of reading/research; relevant material; tendency to descriptive summary rather than critical argument; makes a reasonable attempt to avoid paraphrasing; reasonably coherent structure; often has weaknesses in particular areas, especially in terms of narrow or underdeveloped treatment of question; acceptable documentation.

Fail

0 - 49

Work may fail for any or all of the following reasons: Rough improvised video delivery with gaps in information. Little supporting documentation. Short or incomplete. Process information is incomplete or contradictory to the artwork being discussed. Does not answer criteria in the assignment. Unacceptable paraphrasing; irrelevance of content; poor spelling; poor presentation; grammar or structure so sloppy it cannot be understood; failure to demonstrate understanding of content; insufficient or overlong word length.

For more information see guide to grades.

Use of generative artificial intelligence (AI)

You can use generative AI tools for open assessments. Restrictions on AI use apply to secure, supervised assessments used to confirm if students have met specific learning outcomes.

Refer to the assessment table above to see if AI is allowed, for assessments in this unit and check Canvas for full instructions on assessment tasks and AI use.

If you use AI, you must always acknowledge it. Misusing AI may lead to a breach of theÌýAcademic Integrity Policy.

Visit theÌýCurrent Students websiteÌýfor more information on AI in assessments, includingÌýdetails on how to acknowledge its use.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The University expects students to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

Our websiteÌýprovides information on academic integrity and the resources available to all students. This includes advice on how to avoid common breaches of academic integrity. Ensure that you have completed theÌýAcademic Honesty Education Module (AHEM)Ìýwhich is mandatory for all commencing coursework students

Penalties for serious breaches can significantly impact your studies and your career after graduation. It is important that you speak with your unit coordinator if you need help with completing assessments.

Visit theÌýCurrent Students websiteÌýfor more information on AI in assessments, includingÌýdetails on how to acknowledge its use.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through aÌýsimple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible forÌýspecial consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students,ÌýÌýincludes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Support for students

The Support for Students PolicyÌýreflects the University’s commitment to supporting students in their academic journey and making the University safe for students. It is important that you read and understand this policy so that you are familiar with the range of support services available to you and understand how to engage with them.

The University uses email as its primary source of communication with students who need support under the Support for Students Policy. Make sure you check your University email regularly and respond to any communications received from the University.

Learning resources and detailed information about weekly assessment and learning activities can be accessed via Canvas. It is essential that you visit your unit of study Canvas site to ensure you are up to date with all of your tasks.

If you are having difficulties completing your studies, or are feeling unsure about your progress, we are here to help. You can access the support services offered by the University at any time:

Support and Services (including health and wellbeing services, financial support and learning support)
Course planning and administration
Meet with an Academic Adviser

WK Topic Learning activity Learning outcomes
Week 01 Lecture: Overview, topics, skills, interactive art history, practices and contexts. Lecture (1 hr) LO1 LO2 LO3 LO4
Small Group Creative Task Tutorial (1 hr) LO1 LO2 LO4
Week 02 Lecture: Interactive Practice Part 1: interactive technologies and implementations. Lecture (1 hr) LO1 LO2 LO3 LO4
Development of creative idea for Assignment 1 Tutorial (1 hr) LO1 LO3 LO4
Week 03 Lecture: Interactive Practice Part 2: developing a project, practice-led inspiration, multi-art design approaches and challenges. Case Studies. Lecture (1 hr) LO1 LO2 LO3 LO4
Small Group Creative Task 2 Tutorial (1 hr) LO1 LO4
Week 04 Sound Apparatus Lecture (1 hr) LO1 LO2 LO3 LO4
Sound Apparatus Tutorial (1 hr) LO1 LO2 LO3 LO4
Week 05 Lecture: Interactive Practice Part 3: composing music and sound for multiart. Lecture (1 hr) LO1 LO2 LO3 LO4
Tutorial: Software Guide 3: Spatial sound control, aleatoric generation techniques. Tutorial: 2nd assignment group preparation. Tutorial (1 hr) LO1 LO2
Week 06 Lecture: Working with Audiences Part 1: relational agents, audience interaction. Lecture (1 hr) LO1 LO2 LO3 LO4
"Code Along" simple interactive coding. Tutorial (1 hr) LO1 LO2 LO3
Week 07 Lecture: Working with Audiences Part 2: semiotics, artistic intent, interpretation. Case Study. Lecture (1 hr) LO1 LO2 LO3 LO4
Tutorial: Group work – preparation for Assignment 2 Tutorial (1 hr) LO2 LO3 LO4
Week 08 Lecture: Interactive Practice Part 4: essential visual and spatial design principles in multimedia. Lecture (1 hr) LO1 LO2 LO3 LO4
Small Group Creative Task - mapping sound and space "Event Fields" Tutorial (1 hr) LO1 LO3 LO4
Week 09 Creating Festival EOIs Lecture (1 hr) LO1 LO2 LO3 LO4
Creating Festival EOIs Practical Group Work Tutorial (1 hr) LO1 LO2 LO3 LO4
Week 11 Lecture: Interactive Practice Part 5: more and latest interactive technologies, incl. use of software agents. Lecture (1 hr) LO1 LO2 LO3 LO4
"Code Along" - simple interactive coding. Feedback on final personal projects. Tutorial (1 hr) LO1 LO2 LO3
Week 12 Lecture: Interactive Practice Part 6: planning and production professional standards. Lecture (1 hr) LO1 LO2 LO3 LO4
Tutorial: Practical Session; Individual feedback and advice for final projects. Tutorial (1 hr) LO1 LO2 LO3 LO4
Week 13 Final Projects Showcase Lecture (1 hr) LO1 LO2 LO3 LO4
Final Project Showcase Tutorial (1 hr) LO1 LO2 LO3 LO4

Attendance and class requirements

  • Attendance:ÌýStudents are expected to attend a minimum of 90% of timetabled activities for a unit of study, unless granted exemption by the Dean, Head of School or professor most concerned. The Dean, Head of School or professor most concerned may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90%.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. understand digital technologies in various forms
  • LO2. demonstrate knowledge on the versatility of interdisciplinary electronic music
  • LO3. implement ideas within the technological environment
  • LO4. expand electronic music practice into new interdisciplinary forms of performance, installation, and new media art.

Graduate qualities

The graduate qualities are the qualities and skills that all ±¬ÁÏÍõ graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

UoS refreshed for current technologies. Slight decrease in emphasis on coding. Increase in creative skills topics. Modification of assessments to include secure assessment but also an industry standard EOI process.

Disclaimer

Important: the ±¬ÁÏÍõ regularly reviews units of study and reserves the right to change the units of study available annually. To stay up to date on available study options, including unit of study details and availability, refer to the relevant handbook.

To help you understand common terms that we use at the University, we offer an .