爆料王

Unit outline_

MECO6944: Manuscript Acquisition and Development

Semester 2, 2022 [Normal day] - Camperdown/Darlington, Sydney

Students will acquire skills in manuscript assessment, the process of acquiring books, scheduling and budgeting, writing readers reports, structural editing and managing the dynamics of the author/publisher and agent/publisher relationships.

Unit details and rules

Academic unit Media and Communications
Credit points 6
Prerequisites
? 
MECO6916
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Bernadette Foley, b.foley@sydney.edu.au
Lecturer(s) Bernadette Foley, b.foley@sydney.edu.au
Type Description Weight Due Length
Assignment Publishing report on a fiction manuscript
More information is available on Canvas.
15% Week 03
Due date: 15 Aug 2022 at 23:59

Closing date: 22 Aug 2022
700 words
Outcomes assessed: LO1 LO3 LO6 LO7 LO5
Assignment Structural report on a fiction manuscript
More information is available on Canvas.
40% Week 08
Due date: 19 Sep 2021 at 23:59

Closing date: 26 Sep 2022
1800 words
Outcomes assessed: LO1 LO2 LO3 LO6 LO7 LO9
Presentation Oral pitch in class
More information is available on Canvas.
10% Week 11
Due date: 17 Oct 2022 at 23:59

Closing date: 04 Nov 2022
5鈥�10 minutes (500wd equiv)
Outcomes assessed: LO1 LO2 LO4 LO5 LO8 LO9
Assignment Publishing proposal
More information is available on Canvas.
35% Week 13
Due date: 31 Oct 2022 at 23:59

Closing date: 07 Nov 2022
1500 words
Outcomes assessed: LO2 LO4 LO5 LO8 LO9

Assessment summary

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  • Publishing report on a fiction manuscript (700 words): Students are required to choose one of three supplied manuscripts and write a publishing report following the guidelines. 15% weighting
  • Structural report on a fiction manuscript (1800 words): Using the manuscript chosen for Assignment 1, students are required to write a structural report for the author. 40% weighting
  • Publishing proposal (1500 words): Student are required to prepare a 1250-word book proposal. 35% weighting
  • Oral pitch in class (500 words equiv.): Students are required to deliver the publishing proposal for the book idea you created in Assignment 3. It will be a five-to-ten-minute verbal pitch to your publishing colleagues in a mock acquisitions meeting. 10% weighting

Detailed information for each assessment can be found on Canvas.

Assessment criteria

The University awards common result grades, set out in the (Schedule 1).

As a general guide, a high distinction indicates work of an exceptional standard, a distinction a very high standard, a credit a good standard, and a pass an acceptable standard.

Result name

Mark range

Description

High distinction

85 - 100

听

Distinction

75 - 84

听

Credit

65 - 74

听

Pass

50 - 64

听

Fail

0 - 49

When you don鈥檛 meet the learning outcomes of the unit to a satisfactory standard.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

Use of generative artificial intelligence (AI) and automated writing tools

You may only use generative AI and automated writing tools in assessment tasks if you are permitted to by your unit coordinator. If you do use these tools, you must acknowledge this in your work, either in a footnote or an acknowledgement section. The assessment instructions or unit outline will give guidance of the types of tools that are permitted and how the tools should be used.

Your final submitted work must be your own, original work. You must acknowledge any use of generative AI tools that have been used in the assessment, and any material that forms part of your submission must be appropriately referenced. For guidance on how to acknowledge the use of AI, please refer to the .

The unapproved use of these tools or unacknowledged use will be considered a breach of the Academic Integrity Policy and penalties may apply.

Studiosity is permitted unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission as detailed on the .

Outside assessment tasks, generative AI tools may be used to support your learning. The contains a number of productive ways that students are using AI to improve their learning.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a听simple extension.鈥� The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can鈥檛 complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for听special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students,听听includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

WK Topic Learning activity Learning outcomes
Week 01 Publishing strategy and list development overview Seminar (3 hr) LO1 LO2
Week 02 Manuscript assessment and development Seminar (3 hr) LO1 LO2
Week 03 Structural editing of fiction Seminar (3 hr) LO6 LO5 LO1 LO3
Week 04 Structural editing of non-fiction Seminar (3 hr) LO5 LO2 LO3
Week 05 Editing children鈥檚 and young adult manuscripts Seminar (3 hr) LO6 LO3
Week 06 Working with anthologies and edited collections Seminar (3 hr) LO6 LO1 LO2
Week 07 Role of the editor and publisher Seminar (3 hr) LO6 LO5
Week 08 Developing a publishing idea; understanding the market Seminar (3 hr) LO6 LO1 LO3
Week 09 Working with authors; helping to build careers Seminar (3 hr) LO5
Week 10 Working with agents Seminar (3 hr) LO4
Week 11 Legal and ethical issues in publishing Seminar (3 hr) LO7
Week 12 Diversity and inclusion in publishing Seminar (3 hr) LO9
Week 13 Trends in publishing and editing Seminar (3 hr) LO1 LO2 LO9

Attendance and class requirements

  • Attendance: According to Faculty Board Resolutions, students in the Faculty of Arts and Social Sciences are expected to attend 90% of their classes. If you attend less than 50% of classes, regardless of the reasons, you may be referred to the Examiner鈥檚 Board. The Examiner鈥檚 Board will decide whether you should pass or fail the unit of study if your attendance falls below this threshold.听
  • Lecture recording: Most lectures (in recording-equipped venues) will be recorded and may be made available to students on the LMS. However, you should not rely on lecture recording to substitute your classroom learning experience.听
  • Preparation: Students should commit to spend approximately three hours鈥� preparation time (reading, studying, homework, essays, etc.) for every hour of scheduled instruction.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

The prescribed readings for this unit can be accessed through the Library eReserve, while the recommended weekly seminar readings are available on Canvas.

Prescribed readings:

  • Australian Government Publishing Service,听Style Manual for Authors, Editors and Printers, Wiley, 2011听
  • Elizabeth Flann, Beryl Hill, Lan Wang,听The Australian Editing Handbook听(Third Edition), Wiley, 2014

Recommended readings:

  • Cl茅mence Michallon, 鈥楽o You Want to be A Novelist?鈥�,听The Independent, 2 June 2019
  • Jonathan Lee, 鈥楨lizabeth Schmitz: Editing Under the Radar鈥�,听Guernica, 18 February 2014
  • Craig Lambert, 鈥楢ndrew Wylie: Fifteen Percent of Immortality鈥�,听Harvard Magazine, July鈥揂ugust 2010
  • Joshua Robertson, 鈥楳ark Gottlieb of Trident Media Group鈥�,听The Book Tavern, 25 January 2019
  • Julian Thumm, 鈥楽ophie Hamley: the Business of Writing鈥�,听The Australian Writer鈥檚 Marketplace, 4 October 2012
  • George RR Martin, 鈥楨ditors: the Writer鈥檚 Natural Enemy鈥�, Coastcon II, 10 March 1979
  • J.D. McClatchy, 鈥楽hirley Hazzard: the Art of Fiction鈥�,听The Paris Review, Spring 2005
  • Blake Morrison, 鈥楤lack Day for the Blue Pencil鈥�,听The Observer, 6 August 2005
  • Barry Harbaugh, 鈥榊es, Book Editors Edit鈥�,听The New Yorker, 12 March 2014
  • Gary Kamiya, 鈥楲et Us Now Praise Editors鈥�,听Salon, 24 July 2007
  • Adolfo Aranjuez, 鈥楧eath of the Editor鈥�,听Overland, 26 July 2017
  • Mandy Brett, 鈥楽tet by me: Thoughts on Editing Fiction鈥�,听Meanjin, Autumn 2011
  • Charlotte Wood, 鈥業 have had my vision鈥�,听Sydney Review of Books, 16 May 2014
  • Hilton Als, 鈥楯oan Didion: the Art of Non-fiction鈥�,听The Paris Review, Spring 2006
  • Sinead Gleeson, 鈥楰ill Your Darlings: the Importance of Editing鈥�,听The Irish Times, 28 July 2014
  • Lauren Rohrig, 鈥楶ublishing Profiles: Megan Tingley鈥�,听YPG, 6 June 2013
  • Simon Garfield, 鈥�Granta: from Student Rag to Literary Riches鈥�,听The Guardian, 30 December 2007
  • Margot Kahn, 鈥楬ow and why to edit an anthology: addressing the naysayers鈥�, janefriedman.com, 27 November 2017
  • Andrew Lipstein, 鈥楢nd we oiled each other up and ran naked in the dust of Sparta: an interview with Richard Nash鈥�,听Os-1x, 18 February 2015
  • Lianne Tan, 鈥楲essons in Publishing Law鈥�,听Legal Vision, 31 March 2017
  • 鈥榃hose Life Is It Anyway? Novelists Have Their Say On Cultural Appropriation鈥�,听The Guardian, 1 October 2016

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. understand how books are commissioned and acquired and the impact of editorial decisions on publishing budgets and schedules
  • LO2. assess market conditions and other external considerations with regard to the viability of publishing projects
  • LO3. develop structural editorial skills in children's books, fiction books and non-fiction books
  • LO4. establish and maintain constructive relationships with agents
  • LO5. establish and maintain constructive relationships with authors
  • LO6. assess manuscripts and develop skills in writing reader鈥檚 reports and structural editorial reports
  • LO7. understand the principles of copyright, permissions, libel and defamation and cultural appropriation
  • LO8. prepare and deliver a publishing proposal for a mock acquisitions meeting including a basic P&L
  • LO9. understand diversity principles with regard to publishing acquisitions

Graduate qualities

The graduate qualities are the qualities and skills that all 爆料王 graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one鈥檚 personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

Deletion of crossover content including publishing contracts, supplier management; addition of new diversity and inclusion content.

Disclaimer

Important: the 爆料王 regularly reviews units of study and reserves the right to change the units of study available annually. To stay up to date on available study options, including unit of study details and availability, refer to the relevant handbook.

To help you understand common terms that we use at the University, we offer an .