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Theatre and Performance Studies

Exploring culture and identity through performance

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Delve into a vibrant spectrum of drama and performance, including theatre, dance, and live art. From political rallies to sacred rituals and pop stars, we explore how performance shapes culture, history, and personal identity.

The Theatre and Performance Studies program at the ±¬ÁÏÍõ attracts global academic visitors and boasts renowned research staff in theatre, dance, dramaturgy, and more.

Our graduates pursue diverse paths, from professional theatre, dance, and production management to drama teaching, arts administration, and beyond while others leverage the discipline's insights and research skills in fields like law, medicine, public administration, social justice, and foreign affairs. Many of our students pursue postgraduate study and become tertiary-level educators.

Our study offering

Theatre and Performance Studies looks at a broad range of aesthetic, social and everyday performances across theatre, dance or live art and the stage, to the performative dimensions of politics, sport, cinema and popular culture. Explore a range of different approaches to performance making, engage with professional artists-in-residence and learn how to document performative events and build these observations into a detailed critical analysis.

Current postgraduate research

  • Faryad Ali:ÌýThe Relationship between traditional performance forms and post-colonial theatre: A study of Kurdish Theatre’s hybridisationÌý(²Ñ±Ê³ó¾±±ô)
  • Neil Anderson:ÌýThe Goethean actor: Rudolf Steiner's indicationsÌý(PhD)
  • Tess de Quincey:ÌýWhat can 'Body Weather bodies' do? (PhD)
  • Samuel Dobson:ÌýHow improvising musicians 'play what they hear': A phenomenology of sonorous musical imagination, ideation, and intention in actionÌý(PhD)
  • Richard Hunter:ÌýThe cultural topography of entertainment: The Sydney theatre district 1880-1940Ìý(±Ê³ó¶Ù)
  • Bridget Mac Eochagáin:ÌýRadicalising rape on stageÌý(±Ê³ó¶Ù)
  • Margie McCrae:ÌýAn Australian children's theatre: A case study(MA(Res))
  • Hayden Moon:ÌýHow do people embody the complexities of an intersectional identity through performanceÌý(PhD)
  • Adam Moulds:ÌýThe rogue less travelled: The history of training writers at the National Institute of Dramatic ArtÌý(PhD)
  • Jimena Puente-Trevino:ÌýLos Empeños de una CasaÌý(The errors of a house): Sor Juana Inés de la Cruz (Mexico City 17th century theatre)Ìý(MA(Res))
  • Harrison Werlemann-Godfrey:ÌýAuthenticity creativity and genre: An ethnography of classical music in Sydney AustraliaÌý(±Ê³ó¶Ù)

    • Joseph Appleton (2024):ÌýEnduring Unpredictability (Losing the Present)Ìý(±Ê³ó¶Ù)
    • Lawrence Ashford:ÌýTowards a Poetics of Interactive Theatre: Recognising Audience Agency over NarrativeÌý(±Ê³ó¶Ù)
    • James Dalton:ÌýMedicine and its double: Doing dramaturgy with medical students in an Australian teaching hospitalÌý(PhD)
    • Aine De Paor (2022):ÌýStaging Ireland Down UnderÌý(±Ê³ó¶Ù)
    • Peta Downes (2024):ÌýIndependent or Entrepreneur? The impact of economic rationalism on Australian fringe theatre practiceÌý(±Ê³ó¶Ù)
    • Melissa Fenton (2022)ÌýBehind the Red Curtain: An Ethnographic Exploration of the Global Musical Theatre Industry as a WorkplaceÌý(PhD)
    • Rowan Greaves (2024):ÌýWhite Faces and Nervous Laughter: Subversive Comedy in Australian PerformanceÌý(MA Research)
    • Jesse Jensen-Kohl:ÌýFrom the Pram to the world stage: The history and development of Circus OzÌý(PhD)
    • Jeremy Johnson (2024):ÌýDiane Cilento:ÌýKarnak and The Spirit of PerformanceÌý(±Ê³ó¶Ù)
    • Jiva Lath Namsal (2024):ÌýTheatre of Nepal: Dynamic Interplay of Activist Aesthetic and Embodied KnowledgesÌý(PhD)
    • Izabella Nantsou:ÌýThe subsidy question: Community theatre and the integral stateÌý(PhD)
    • Sean O’RiordanÌý(2024):ÌýShakespeare is Good for You – ‘An Olympic Course in Acting’ – Shakespearean performance techniques as training tools in contemporary acting conservatoiresÌý(M.Phil.)
    • Lucinda Petchell:ÌýEmbodied Cities, Citied Bodies: Assembling Urban Research through MovementÌý(PhD)
    • Kerrie Roberts (2022):ÌýShakepeare’s Hereditary QueenÌý(MA Research)
    • Garry Seabrook (2022):ÌýThe Complementarity of Being: A Reconceptualization of reality, the Present Moment, and Human EmbodimentÌý(±Ê³ó¶Ù)
    • Lillian Shaddick (2024):ÌýLeisurely SeekingÌýDuende:ÌýMeaning making through the embodied experience of flamenco danceÌý(PhD)
    • Toby Wong (2024):ÌýPerforming exoticism in a globalised world: Puccini’s operas in the 21st centuryÌý(MA Research)
    • Ting Zheng (2024):ÌýTransformational Role of the Dramaturgy between Drama Production Teams, Critics and Audiences in the Transitional Society of ChinaÌý(PhD)

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    Manual Name : Associate Professor Laura Ginters

    Manual Description : Discipline Chair

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    Our research

    Our focus includes the expansive realm of performance and its intricate production and reception processes. Our areas of expertise include:

    • Australian theatre and dance history
    • Performance-making processes: theories of acting, dramaturgy, ethnography of rehearsal
    • Historical rehearsal processes and performance practices in Europe
    • Performance and health
    • Performance and social change
    • Placemaking and embodiment
    • Creative practice as research

    Our facilities

    The Rex Cramphorn Performance Research Studio is our fully-equipped studio facility available to external practitioners through our artist-in-residence program. “The Rex� is located on Level 1 of the John Woolley Building (A20). The studio can be accessed directly from Manning Rd.

    Experience artistic collaboration at the Rex Cramphorn Performance Research Studio, where professional artists join forces with our staff and students to advance research in theatre and performance studies. Refer to theÌýÌýto stay updated on our projects and events.

    The Rex Cramphorn Studio, named in honour of a brilliant theatre director and innovator, with significant ties to the discipline, is a versatile open space. This rectangular studio offers practitioners ample room for rehearsals, workshops, and performances, adapting to various formats with ease.

    The Studio boasts a main sprung floor and a small foyer area with a kitchenette and toilets. There is also a mezzanine level housing toilets, changing rooms, and showers. The studio is well-equipped with a semi-flexible lighting grid, rated rigging positions, a new LED theatre lighting package with control, a ceiling-mounted data projector, an audio control desk, and a PA system.

    Studio size specifications:ÌýLength 12.7m | Width 8.5m | Height 4m.

    The Rex Cramphorn Performance Research Studio

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    The annual program of artist residencies in the Rex Cramphorn Performance Research Studio is curated and managed by the Placements and Project Coordinator, Dr Barbara Campbell. Artist residencies are offered with the expectation that artists engage with the teaching and research programs of the discipline; this may include student observation, skills workshops, research collaborations with academics, seminar presentations for postgraduates, or invitations to showings.Ìý

    Expressions of interest for Round 1 2026 Rex Cramphorn Studio Artist-in-Residence program are now closed. Only applications for residencies of three- or four-weeks duration between 12 January and 30 July will be accepted. Round 2 EOIs for August–December 2026 residencies will open in April 2026. Contact Barbara Campbell (barbara.campbell@sydney.edu.au) if you’d like to be sent an EOI form.

    The discipline publishes a peer-reviewed journal,ÌýAbout Performance, which provides an international forum for analysis, theory and critique by academic researchers and performance makers. We welcome articles that bring theoretical perspectives derived from other disciplines to bear on performance practice. The journal is published annually, and each issue is devoted to a single theme.

    Distributed viaÌýÌýandÌý. Editor:Ìý.

    Banner image:ÌýAngela Goh,ÌýSky Blue Mythic, developed at the Rex Cramphorn Performance Research Studio for Keir Choreographic Awards, Carriageworks, 2020. Photo: Zan Wimberley.

    Our people

    • DrÌý
    • Associate ProfessorÌý
    • Associate ProfessorÌý

    • Associate ProfessorÌý, Chair of Discipline
    • DrÌý, Undergraduate Coordinator; postgraduate enquiries
    • DrÌý, Honours Coordinator

    • Associate ProfessorÌý
    • DrÌý
    • DrÌý
    • MsÌý
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    Contact us

    School of Art, Communication and English

    John Woolley Building (A20),
    The ±¬ÁÏÍõ, NSW, 2006

    Phone: 1800 SYD UNI (1800 793 864) (in Australia)Ìý
    +61Ìý2Ìý8627Ìý1444Ìý(outside Australia)Ìý

    Email:Ìýsace.enquiries@sydney.edu.au Ìý

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