From missions to makarra峁痑
The Gululu dhuwala djalkiri: welcome to the Yol艐u foundations exhibition and the book celebrate the University鈥檚 extensive Yol艐u collections 聽from eastern Arnhem Land and the relationships that built and sustain them.
Yol艐u have been making art for millennia. 鈥淭he patterns and designs were laid down on the country and in the minds of Yol艐u by the ancestral beings at the time of creation,鈥� writes Yol艐u leader Djambawa Marawili, AM in a foreword to the book.鈥� They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.鈥�
Representing more than 20 Yol艐u clans and 100 artists, Gululu dhuwala djalkiri features 350 artworks. The exhibition is the first at the museum鈥檚 largest exhibition space, the 420 square metre Ian Potter Gallery. It was created in consultation with three Yol艐u art centres: Milingimbi Art and Culture (Yurrwi Island), Bula鈥檅ula Arts(Ramingining) and Buku-Larr艐gay Mulka聽Centre (Yirrkala). Over three years Yol艐u聽Elders and artists advised and worked with University curators to determine how their artwork, knowledge and law would be shared with museum audiences.
鈥淚n 2018 we hosted two Elders from each of the communities to tell us how they would organise the exhibition from a Yol艐u perspective,鈥� said co-curator Matt Poll. 鈥淐onsultation continued via phone and email right up to the final installation.鈥�
Y盲lpi Yunupi艐u from Yirrkala was among those who travelled to Sydney in 2018 to be part of the early exhibition development. He found artworks by his father and was taken by the overall scale of the collections.
鈥淚t is good for public showing and for the kids,鈥� he said. 鈥淚t鈥檚 good to be kept for our generation, and for the next generation to come and learn more about it, and to hear what we are saying about it, the stories of these paintings.鈥�
On display are works from Milingimbi and Yirrkala collected by anthropologists Lloyd Warner (1920s) and Ronald and Catherine Berndt (1940s). A large collection of artworks was acquired in Milingimbi and Ramingining for the University鈥檚 JW Power art collection through Djon Mundine, OAM, a Bandjalung curator. Mundine has mentored University curators in their work with these collections and will be a special guest at the book launch. An award-winning contemporary multimedia work from Yirrkala and a series of memorial poles from a 2016 惭补办补谤谤补峁痑 event at Milingimbi were new acquisitions for the show.聽
Images from the Djalkiri exhbition
Djalkiri: Yol艐u Art, Collaborations and Collections (SUP 2021), is a multi-authored, richly illustrated book featuring diverse contributions from Indigenous and non-indigenous staff of the Yol艐u聽Art Centres, Elders and artists, and historians and curators. It explores different understandings of the collections, their histories and meanings, and reflects on the changing relationships between Yol艐u communities and museums over time.
The Ian Potter Gallery was named after the Ian Potter Foundation, which donated $5 million towards construction of the museum. The gallery will host two exhibitions a year.
鈥淭he Foundation is delighted to see the gallery open with this unique exhibition of Indigenous artworks ranging from the 20th century to more current digital works,鈥� said foundation Chairman Charles Goode AC. 鈥淐urated in consultation with the Yol艐u community, it is bound to foster greater engagement and appreciation of Indigenous culture by the wider community.鈥�
Exhibition details:
When: 18 November鈥�29 August 2021
Where: Potter Gallery, Chau Chak Wing Museum, University Place, 爆料王, Camperdown, Sydney
Cost: Free.
URL:
Phone: +61 2 9351 2812
Opening hours: Mon-Fri, 10am-5pm; Thursday nights until 9pm; Sat-Sun, 12-4pm.
Email: ccwm.info@sydney.edu.au
Book available from and the museum shop.