A corner of the internet is dominated by digital tycoons 鈥� Facebook, Amazon, Netflix, Google 鈥� and now TikTok.
Any ban on TikTok ignores the bigger issue of who should control personal data in the first place: the individuals who use any app.
The US sees TikTok as having inseparable ties with the Chinese state. The main concern is the concept of data security or the nationalist idea of data sovereignty.
Realistically it appears geopolitical tensions are the real issue.
TikTok 聽is another frontline in the US-China technological struggle for online dominance. The real loser in this conflict is the user and the progress of data transparency.
The issue has different perspectives.
While the battle between China and the US for who controls the internet of the future is a key component, others see it as an attempt to tighten its grip over a small corner of the internet, already dominated by digital tycoons 鈥� Facebook, Amazon, Netflix, Google (FANG) 鈥� and now TikTok.
Either way, if the US government does ban TikTok it probably won鈥檛 be the US or Chinese governments which benefit.
For the US, banning TikTok would jeopardise the entire notion of a 鈥榞lobalised internet鈥�.
The concept of worldwide communication, the internet as we know it, would become 聽splintered, leading to the聽, where the online space is dissected by nations.
Banning TikTok would send a message to the world that the US will never allow apps that originate from other countries to occupy major global influence.
This could be seen as government overreach, unconstitutional and unlawful.
It鈥檚 unlikely China would benefit either.
聽is the first Chinese digital app with a global reach, however the app itself is without a discernible Chinese flavour.
It鈥檚 not realistic to achieve propaganda or political agendas through the app. At best,, to provide an alternative understanding against the Western-focused presentation of China.
All the hearsay about how the Chinese government collects and uses data from users of TikTok are merely conspiracies that lack any concrete proof.
If we鈥檙e voting yes for a TikTok ban, we鈥檙e voting for a new digital cold war, further away from the globalised internet as it should be. In that sense, we鈥檙e granting power into the hands of governments, letting information be blocked by the will of the few and the powerful.
The underlying logic is the construct of data security. Who owns the data and who controls it should be the users themselves. But the fight we鈥檙e seeing is not about this.
What would be beneficial to users is a greater move towards data transparency so they know how their data is being used. This should include not just users of TikTok, but of all other digital apps too.
The truth is,聽聽is even more transparent than聽
Where TikTok meticulously documents how and what data will be collected from users, Facebook opaquely says, 鈥楩acebook owns all the data that users generate on its website鈥�, without going into details.
The bottom line is, platforms or governments should act as intermediaries when it comes to data. Use of data, despite its purpose, should always be granted by its original owner.
However, we have too many loopholes in the current system, luring users for consent without actively informing them.
鈥楾erms and conditions鈥� don鈥檛 count. The power of data should never fall into the hands of governments or platforms. That鈥檚 the principle that regulators need to establish, prior to the potential AI society of the future.
Imagine 聽when we use US-designed AI technologies, such as the newly announced Apple vision pro, or US-designed apps and services, potentially something like Meta, should we be concerned about data ownership?
The point is not which government owns them, but to make sure that no platforms or national governments will be able to聽聽or appropriate the data of the people who create it.
The real solution here is a framework and global policy that oversees data transparency protecting it for all users regardless of what side of any potential digital cold war they come from.
This article was written by聽Dr Chunmeize Su聽from the Faculty of Arts and Social Sciences and was originally published by聽聽Hero photo: Unsplash